George Pratt Discusses The Illustration Academy

I was honored to have my image on the Academy poster last year.

I was honored to have my image on the Academy poster last year.

I was looking through the various posts I’ve made since I upgraded this blog from my old artblog and realized that I haven’t posted about the Illustration Academy on this new version. Crazy! Since it’s getting close to the summer I thought I should rectify that. Scattered throughout this article are shots from last year’s Illustration Academy. I hope they entice you to explore further what the Illustration Academy has to offer by exploring their website

The Illustration Academy is where I go to recharge my batteries, both as an artist and as an instructor. All the instructors there are working professionals and include some of the top talents working today. I always feel incredibly privileged to be friends with these wonderful artists. What always impresses itself on me is that each and every one of these individuals is also still a student. They are constantly experimenting and striving to discover new ways of working, of stretching their skills to the next level of their personal artistic development.

Mark English drawing demonstration.

Mark English drawing demonstration.

John English drawing demonstration.

John English drawing demonstration.

The Illustration Academy is a five-week program designed to push you as an artist in your technical skills, but also in how you solve problems and interpret the world visually. It’s also heavy on process, steps that, if relied upon, can make picture making a success. It has been described for years and years as “bootcamp” for artists because it is an intense learning experience. And as intense as it is, everyone also has a great time sharing a lot of laughs and making a pile of artwork.

A typical week at the Illustration Academy: We begin at 9AM. An assignment is given and for that week we work with the students to hone their solutions through the process of ideation, composition, tonal plans and color studies. If you’re able to get approval early then you have more time to work on the finish. Generally many don’t get to hit their finish until Friday or Saturday. The finals are due the next Monday morning.

On Monday a new instructor arrives, let’s say Gary Kelley, and he along with myself, Mark English and John English, critiques the work. Gary is the new pair of eyes and is able to approach the critique with a fresh sense of perspective.

After the critique Gary delivers his assignment for that week (And he, along with the other instructors work with you that week to help you create the best solution possible). Gary then gives a presentation/lecture about his career and work. During that week Gary will also give demonstrations and how-to’s on various techniques and aspects of, say, book design, etc.

Drawing Night at the Academy

We draw from life three times a week at the Academy. All poses are 15 to 20 minutes long. Mark English does the first demonstration highlighting a form of drawing he utilizes to get students to see the whole figure and not concentrate on details by working with two tones on a toned paper. It’s a pretty heady experience to get to draw in the same room with Mark English, John English, Gary Kelley, Chris Payne, Sterling Hundley, Jon Foster, Francis Livingston, Ted Kinsella, and Jeff Love.

INSTRUCTORS FOR 2016:

The usual gang of idiots: Mark English, John English, Gary Kelley, Sterling Hundley, Francis Livingston, Jon Foster, George Pratt, Ted Kinsella, and Jeff Love.

New instructors include: Bill Sienkiewicz, Bill Koeb, Bill Carmen, Wes Burt, and Victo Ngai.